WORKS OF ART IN KILN-FORMED GLASS
The slump firing was successful. The glass now has a matte finish and has been shaped.
Greg Rawls has been creating kiln-formed (fused) glass since 2003. He has studied extensively with many accomplished glass artists and has developed techniques for taking kiln-formed glass in new directions. He earned a BS in Biology and a MS in Public Health from the University of South Carolina. He lived in Charleston for over 20 years and currently lives in Beaufort, South Carolina. He is pursuing glass art full time with his company, Gregorie Glass, which specializes in kiln-formed glass for art and architecture.
Contact the Artist:
Some pieces can be reproduced. The artist accepts commissions.
ABOUT THE ARTIST:
Selected for the 2018 Bullseye Glass EMERGE competition.
June - September 2018
ArtFields, Lake City, South Carolina
"Quilt of Humanity"
Top 100 at 2013 ArtPrize in Grand Rapids, Michigan
2013 Beaufort Arts Counci, Beaufort, South Carolina
Top 100 at 2012 ArtPrize in Grand Rapids, Michigan
Cooper River Bridge Run
Greg Rawls - Kiln-Formed Glass - Sculptures & Vessels
Edward Dare Gallery - Charleston, South Carolina
"Linear Regression" selected for the
2008 South Carolina State Museum
20th Anniversary Juried Art Exhibition
"Spirit of the Dance" - 2006 Piccolo Spoleto
Festival Petite Performance Pavilion
Poster, Charleston, South Carolina
"View from My Balcony in Alicante" - 1st place,
2006 Piccolo Spoleto Juried Art Exhibition,
Charleston, South Carolina
"In Repose" - 2nd place, 2005 Piccolo
Spoleto Juried Art Exhibition, Charleston,
Gregorie (Greg) Rawls
Kiln-formed glass is a very difficult medium due to issues of glass compatibility and the inherent fragility of glass. All of this makes it a most challenging art form. Glass, when properly worked, is amazingly strong and this strength makes a presence that will stand the test of time.
Glass is an eternal medium that has been worked, in one form or another, for several thousand years. Fused glass art was found in ancient Egyptian excavations and was a revered art form. The technique was lost and rediscovered about 50 years ago.
“I am fascinated by the way light plays off glass, either transmitted or reflected, giving the work new meaning with changing light and viewing angle. I want my work to be simple and expressive, yet convey a sense of color and light in harmony. I have always been inspired by the colors of the Lowcountry. The marsh, ocean and incredible sunsets form my palette.”
The middle section of EVENTIDE was placed over two forms to created the final shape.